I’ve spent a good bit of time this week working on projects for The Digital Press at the University of North Dakota, and just this morning another project appeared in my inbox. These are interesting times both for The Digital Press and digital and academic publishing.
This post today is more of an update on what’s going on at The Digital Press and some broader – and perhaps speculative – thoughts on digital publishing. For more like this, and other voices, do come to our panel at the Archaeological Institute of America’s annual meeting on Friday, January
First, just yesterday I sent off the galley proofs of volume one of Epoiesen to its editor Shawn Graham. Epoiesen is “a journal for creative engagement in history and archaeology” and having spent time with the content of its first volume, I was struck by how there really isn’t anything like it in the contemporary landscape. The articles and their response range in tone from the playful to the polished and professional and captured a wide range of ways of thinking about and engaging the past from public outreach to Twine games. Do check it out here and consider submitting in 2018!
One of the challenges with publishing such a unique journal is getting the tone right in the design and layout. For the pages of the book – as I blogged about last week – I decided to stick with a fairly conservative, if modern, font, but also layout images in such a way that they encroached on the margins and spilled over toward the edge of the page. While this worked well for conventional articles that combine text and images, I’m not sure that I’ve managed to capture the spirit of more complex, hybrid articles that involve Twine games or integrate marginal comments in Hypothes.is into a cohesive critique. Rendering this kind of hybridity on a page and then in paper remains a challenge!
Another challenge is the cover. As my old friend Andrew Reinhard opined on Twitter yesterday, “If I see one more sober journal cover, I will vomit.” To some extent, he was responding to my proposed cover:
In my defense, I designed a relatively conservative cover to communicate the seriousness of the project and to offer a bit of contrast to the sometimes playful (but not unthoughtful) content. Andrew’s take was a bit different and suggested wearing the playfulness of the journal on its sleeve. He offered a few versions, but this one was the most appealing to me, in part, because of Gabe Moshenska’s clever graphic, and in part because it is conventional enough to be recognizable as a journal cover, but also unorthodox enough to be interesting.
(As an aside, if you haven’t already, you really should download Gabe Moshenska’s free, open access, book, Key Concepts in Public Archaeology, published earlier this year by University College London.)
I’m working with a pair of outstanding editors to publish the papers from a pair of panels from last year’s Archaeological Institute of America meeting on abandoned villages (you can check out the paper here). As part of that panel, my long-time friend and collaborator, David Pettegrew and I gave a paper on the site of Lakka Skoutara in the Corinthia. Richard Rothaus, Bret Weber, and I collaborated on paper focusing on Wheelock, North Dakota in the Bakken. Both papers drew upon a rich photographic archive as the basis for our analysis and as the primary method of documentation.
Due to changes in hosting policies here at UND, I’ve lost my server space (or, more properly, it became prohibitively expensive), and as a result, our online presentation of Lakka Skoutara images is no longer available. This is a bummer for many reasons, but the extent of it being a bummer was made clear when I investigated my options for producing a comprehensive archive of the Lakka Skoutara material and discovered how expensive it would be. One of the suggestions that Frank McManamon from tDAR made was that I compile the photographs and other documentation in a .pdf (or even a print-on-demand book) and then put that in an archival repository (like tDAR, an institutional repository, or even just the Internet Archive).
While I recognize that this is not an optimal solution for many reasons. PDFs are not machine readable in a proper sense and the images would likely not have all the metadata that individual files in an archive would have. That being said, there’s something important about making a smallish archive (and Lakka Skoutara is fewer than 650 images) accessible to the human eye and compiling that visual data (and any attendant text) together in a single document. At the same time, a PDF can be accessioned by a library, is inherently portable, and is easy enough to produce and archive. So it is a usable solution.
My idea is to include a couple expanded archives as digital downloads with the abandoned villages volume. They’d be set up on a template so fairly easy to design, lay out, and produce.
This project has a few challenges and the largest of these is whether to preserve the original pagination for the Williston Report. And, if I do repaginate it, how do I mark out the original Williston Report text from our updated chapters? Do we use complementary fonts with a serif-ed font marking the Williston Report and a sans serif font marking the newer contributions?
Stay tuned for more on this project over the next few months.