The Digital Press at the University of North Dakota publishes high-quality, innovative works in Mediterranean and world archaeology.
Mobilizing the Past: The Potential of Digital Archaeology
Edited by Erin Walcek Averett, Jody Michael Gordon, and Derek B. Counts
With additional contributions by Rebecca Bria, Bridget Buxton, William Caraher, J. Andrew Dufton, Steven J. R. Ellis, Samuel B. Fee, Shawn Fehrenbach, Eric C. Kansa, Morag M. Kersel, Marcelo Castro López, Christopher F. Motz, Brandon R. Olson, Eric E. Poehler, Adam Rabinowitz, Ted Roberts, Shawn Ross, Matthew Sayre, Adela Sobotkova, Matthew Spigelman, John Wallrodt, and Steven Wernke.
Mobilizing the Past is a collection of 20 articles that explore the use and impact of mobile digital technology in archaeological field practice. The detailed case studies present in this volume range from drones in the Andes to iPads at Pompeii, digital workflows in the American Southwest, and examples of how bespoke, DIY, and commercial software provide solutions and craft novel challenges for field archaeologists. The range of projects and contexts ensures that Mobilizing the Past for a Digital Future is far more than a state-of-the-field manual or technical handbook. Instead, the contributors embrace the growing spirit of critique present in digital archaeology. This critical edge, backed by real projects, systems, and experiences, gives the book lasting value as both a glimpse into present practices as well as the anxieties and enthusiasm associated with the most recent generation of mobile digital tools.
ISBN-10: 0692790136 | ISBN-13: 978-0692790137
Edited by Kostis Kourelis, William R. Caraher, and Andrew Reinhard
Punk Archaeology is a irreverent and relevant movement in archaeology, and these papers provide a comprehensive anti-manifesto
Visions of Substance
Edited by Brandon Olson and William Caraher
With the advent of low-cost and easy to use 3D imaging tools, the discipline of archaeology is on the cusp of a major change in how we document, study, and publish archaeological contexts. While there are a growing number of volumes dedicated to this subject, Visions of Substance: 3D Imaging in Mediterranean Archaeology represents an accessible and conversational introduction to the theory and practice of 3D imaging techniques in a Mediterranean and European context.